22 days left — Registration closes 2026-10-31.

English Language · 6 questions · about 1 min to read

Biography as a Literary Genre

Read the passage, answer the questions, then open each answer to check it. The explanation says why the right option is right.

The passage

Read, then answer

Biography as a literary genre occupies an uncomfortable middle ground between history and fiction. It claims the authority of fact — a biographer must account for every significant claim with evidence — while demanding the readability and psychological coherence of a novel. The biographer faces a particular problem: the subject’s inner life. External events — dates, letters, deeds, appointments — can be documented. What a person felt, intended, or believed at a given moment is often unknowable, yet biographers cannot afford to leave it blank. A life, if it is to be readable, must have psychological continuity.

The temptation is to fill the gap with inference — to construct a plausible inner life from the available evidence. Done carefully, this is the biographer’s art. Done carelessly, it is fiction masquerading as history. The best biographers are those who are transparent about the limits of their knowledge: who say ‘he may have felt’ rather than ‘he felt,’ and who distinguish between what the evidence supports and what the narrative requires.

This tension between what is known and what is inferred has intensified in the age of authorised biography. When a subject, or their estate, controls access to private papers and can withdraw that access, the biographer’s independence is compromised. The authorised biography may be the most thoroughly researched account of a life, and also the least candid.

  1. Q1. The ‘particular problem’ the biographer faces, as described in the passage, is:

    1. The difficulty of locating historical documents and letters from a subject’s life
    2. The impossibility of narrating a life without the subject’s cooperation
    3. The unknowability of the subject’s inner life, which must nonetheless be represented for the biography to be coherent
    4. The legal liability that arises from publishing private information about a living person
    Show answer

    Answer: C. The unknowability of the subject’s inner life, which must nonetheless be represented for the biography to be coherent

    The passage states: 'The biographer faces a particular problem: the subject’s inner life.' External events can be documented, but feelings and intentions 'are often unknowable, yet biographers cannot afford to leave it blank.'

  2. Q2. The author distinguishes between careful and careless use of inference by a biographer. A careless biographer, according to the passage:

    1. Relies too heavily on secondary sources rather than original documents
    2. Produces fiction masquerading as history by filling gaps without transparency about uncertainty
    3. Writes in a style that prioritises readability over factual accuracy
    4. Omits controversial details about the subject to protect the subject’s reputation
    Show answer

    Answer: B. Produces fiction masquerading as history by filling gaps without transparency about uncertainty

    The passage states: 'Done carelessly, it is fiction masquerading as history.' The careless biographer presents inference as fact.

  3. Q3. The author argues that the best biographers are those who:

    1. Have personal access to the subject or their family
    2. Restrict themselves to externally verifiable facts and make no inferences
    3. Are transparent about the limits of their knowledge, distinguishing evidence from narrative requirement
    4. Write in the first person to signal that the account is subjective
    Show answer

    Answer: C. Are transparent about the limits of their knowledge, distinguishing evidence from narrative requirement

    The passage states: 'The best biographers are those who are transparent about the limits of their knowledge: who say ‘he may have felt’ rather than ‘he felt.’'

  4. Q4. Why does the author suggest that an authorised biography may be ‘the least candid’?

    1. Because authorised biographers are paid by the subject and therefore biased
    2. Because the subject or their estate controls access and can withdraw it, compromising the biographer’s independence
    3. Because authorised biographies are written too quickly to be thoroughly researched
    4. Because authorised biographers are not allowed to interview the subject’s critics
    Show answer

    Answer: B. Because the subject or their estate controls access and can withdraw it, compromising the biographer’s independence

    The passage states: 'When a subject, or their estate, controls access to private papers and can withdraw that access, the biographer’s independence is compromised. The authorised biography may be the most thoroughly researched account... and also the least candid.'

  5. Q5. The phrase ‘psychological continuity’ as used in the passage means:

    1. A consistent narrative of the subject’s mental health throughout their life
    2. A coherent sense of the subject’s inner motivations and feelings that makes the life readable as a unified account
    3. The subject’s own account of their psychological development
    4. The requirement that a biography be written in chronological order
    Show answer

    Answer: B. A coherent sense of the subject’s inner motivations and feelings that makes the life readable as a unified account

    The passage uses 'psychological continuity' to describe what a biography must have to be readable: a coherent inner life for the subject. This is what the biographer must construct from fragmentary evidence.

  6. Q6. Biography is described as occupying ‘an uncomfortable middle ground between history and fiction’ because:

    1. Biographies are written by historians who borrow novelists’ techniques
    2. It must meet the evidentiary standard of history while achieving the psychological coherence of fiction
    3. Biographies are popular with readers of both historical non-fiction and literary novels
    4. Biographers are trained in neither history nor creative writing
    Show answer

    Answer: B. It must meet the evidentiary standard of history while achieving the psychological coherence of fiction

    The passage explains: 'It claims the authority of fact... while demanding the readability and psychological coherence of a novel.' This dual demand creates the 'uncomfortable middle ground.'

Prepare with CLATcoach, free

A free account gives you a full mock, a past paper for every exam, the daily questions, twelve Legal GK headings and a report on where you stand.

Create a free account